I keep circling back to this question, and it doesn’t seem to want an answer just yet — only a closer, longer, lingering look.
Some melodies feel inherited, like they were waiting for us before we were even born. Others feel borrowed at times, but later — after enough hands play them, after they’ve soaked up enough breath and sweat and time — they begin to sound like they’ve always belonged.
Maybe the moment of belonging isn’t in the tune at all, but in the carrying — the way people hold a melody long enough that it starts holding them back, and maybe even starts carrying them forward. I don’t think I’ve found a border yet between a song and a lived thing. I only know that somewhere between repetition and memory, or between replaying and re-remembering, the tune stops being learned and starts being kept — carried by the breath of your own phrasing and colored by the tone of your own heart.
Maybe the rest doesn’t arrive all at once. Maybe even pauses take time to learn their place. Maybe what is to come arrives the same way a melody does — carried a while before it even discovers where it belongs. In the meantime, I’ll keep walking beside it, knowing that the next melody is on its way.
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